A writers list of rules…

The rules you need to adhere to to be a good writer are many, according to internet forum ‘experts’. Join any writers group on facebook, goodreads or a dozen other places I could mention and there will always be someone willing to tell you the rules, or more likely castigate you for not adhering to them. Here then is a truism…

‘Those who can do, those who can’t teach, whether the pupil wants to be taught or not…’

I mention this because I fell afoul of one of these ‘experts’ recently, who was telling me I was doing everything wrong. I in return asked the civil question, ‘How many books have you written?’ to which they replied, ‘None, but I am working on a novel.’ which they had apparently been doing for several years. They were also, they assured me, ‘certain it will be a best seller as I know how to write…’

‘I see.’ I said.

Now, I don’t have any issue with someone giving advice, when it is asked for, but the person in question was not giving advice as much as berating another wannabe writer who had put a sample of there work up and asked for comments. In fairness they did ask… but I felt the ‘advice’ been given by our ‘expert’ basically amounted to abuse and an attempt to shred this poor wannabes’s confidence with a host of rules they had not followed. Hence I asked them how many books they had written. there may have been a deliberate typo or two in my question as well. Occasionally one feels one must wave a red rag and a bull to distract them from goring someone less able to defend themselves, because which I abhor bullies… Because while ‘wannabe’ needed advice, they didn’t need the sanctimonious tripe coming out the self-proclaimed ‘expert’ who has never written a book themselves.

‘What do you mean ‘I see’?’ asked the ‘expert’.

‘Well,’ said I, ‘it explains why your talking so much crap, perhaps you should concentrate on writing your novel more and less on telling others how to write their’s’

It went down hill from there, unsurprisingly, he called me several unimaginative expletives. I replied with calm candor that. ‘I would of thought an expert writer like yourself could think of better ways to express yourself.’

He used a few more expletives, then said ‘what do you know about writing, how many novels have you written?’ cleverly, one assumes he thought, turning my own question back upon me…

‘Six, though ones just a novella, oh and a book of short stories that coming out in a month or two, I’m in lots of anthologies with my short stories as well. I find it eminently more rewarding to write my own than to tell other people how they should write theirs.” I told him.

There were more expletives, but I was bored by this point and blocked him as frankly life is frankly too short, I did however give Wannabe the list of rules for good writing I have pinned above my desk. the Wannabe seemed to appreciate the advice, and a couple of minor pointers about their own work I thought would help, those mostly my advice was don’t post an exert on facebook because the ‘experts’ there are often toxic arseholes. What the ‘expert’ thought of my rules I’ve no idea, but then the humorless arse probably would missed the point…

 

The Rules

  • 1. Avoid Alliteration. Always.
  • 2. Prepositions are not words to end sentences with.
  • 3. Avoid cliches like the plague. They’re old hat.
  • 4. Comparisons are as bad as cliches.
  • 5. Be more or less specific.
  • 6. Writers should never generalise.
  • Seven. Be consistent.
  • 8. Don’t be redundant; don’t use more words than necessary; it’s highly superfluous
  • 9. Who needs rhetorical questions?
  • 10. Exaggeration is a million times worse than understatement
  • 11. Avoid carefully, prudently and judiciously the overuse of adverbs
  • 12. Avoid writing lists

Oh and one last one… because Mz Goldberg advice here is a real gem…

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The value of U…

“England and America are two countries separated by the same language!” attributed to George Bernard Shaw, or possibly Oscar Wilde, or purely apocryphal, as its one of those quotes no one is entirely sure about even the QI elves apparently….

U is worth 1 point in Scrabble, and it occurred to me this means that the word colour is worth 1 point more in Britain than it is in America. I know that’s an abstract way, to sum up, the difference between two variants of the same language, but it’s probably an important one. Well in international Scrabble tournaments at any rate. Serious men in cardigans probably debate long into the night, which dictionary to use an adjudicator when the world championships take place. I was assuming there is a Scrabble world championships because there is an elephant polo world championship. Which is proof if it was ever actually needed of humanities ability to make a competition out of anything. BTW care to guess the 2004 world champions of Elephant polo. Scotland….  If anyone can figure out how that happened, let me know…. But putting strange pachyderm sports to one side. It seemed a safe bet that a Scrabble world championship existed when I was first thinking about this post, and it turns out it does indeed.

a writers tool box….

So somewhere in the world serious men in cardigans must have met around a pop-up table and debated if colour or color should be the agreed word for the championship. After all, there is no doubt the influence it has on the scores. Perhaps if it takes place in the UK they use the Oxford English Dictionary,, and if it occurs in the US they use a Webster’s dictionary…. but if that’s the case imagine the difference it could make in the world records… Think about it a moment, U may only be worth 1 point, but a Z is worth 10. So you see what you need to realise is that realise is worth 9 fewer points in the UK than realize is worth in the US…  And that’s before some smart arse uses it on a triple word score, drops and s on the end and gets the fifty bonus points…
What if it takes place in Nigeria, as it did in 2015 (yes I looked it up, but not going to let facts get in the way). But which dictionary do they use then, and if a UK player takes on a US player …. does the US player have an advantage. Or does it all even out, those 10 point Z’s you can use in more places in American English, against all the 1 point U’s that suddenly have so many more uses in The Queens original variant? So yes, it was a slow day at work, and my mind wondered a little… Regardless, men in cardigans care deeply about these things I have no doubt.

Why is any of this relevant, (except to the men in cardigans)?
Well as I am sure your aware I have published several novels.
What do you mean your not aware of that, it’s not like I have never mentioned it before? The links are at the side of the page. Do you think this blog is just here as entertainment and occasional waffling on about scrabble and elephant polo …

Ahem, sorry, where was I?
Oh yes, as your aware I have published several novels, and like most self-publicists I have done so in my own native language of English. The one with all the U’s all over the place and S’s in realise… I wrote them in English, which is somewhat universal as long as you know when a hood is a bonnet, and a boot is a trunk. The spelling of words, well that’s slightly Tom Ate Toe, Tom Art Toe. And in all honesty, a little confession here, it never occurred to me that I should actually make American additions of my novels with the American English spellings.

Let me say that again, because I doubt I am alone in this. It has never occurred to me to make American English versions of those novels…

I self-publish, which if you have read this blog before I am sure you know, and it’s a common mistake that happens to most if not all self-publishers. I know this because I have read a lot of Indie novels. The American ones are in American, the British ones are in British, and the Europeans ones all depend on which English teacher they had…
Yet it shouldn’t be, because in common with most of my indie author friends who self-publish I want my product to be as good as anything that comes out of a major publishing house. I had Cider Lane reproofed and reissued it to get rid of those annoying typos that crept past the proof-readers and myself that readers spotted, because when you hit a typo it jumps out at you  (The first time you read something, not the hundredth like most authors have their own books).

Yet by publishing in America in British English, I am doing the same to all my American readers. As is almost every indie author. Sure I would not change the title of my book from ‘Harry Potter and the Philosopher’s Stone‘ to ‘Harry Potter and the Sorcerers Stone‘. Because unlike the American publishers of J K Rowlings work I don’t believe Americans are unable to comprehend certain words and their meanings.
Cider Lane, however, is set in Summerset England, where they say Tom Art Toe, and a car had a bonnet and a boot, not a hood and a trunk. So the native vernacular should stay the same, but the spelling of words… that should be another story. After all, all it will take me is a few hours in a word processor set to American English to run through the manuscripts and then fix the typesetting if it needs it.

Hence, while it was a slow day at work, I was thinking about scrabble. And how for some of my readers colour should be worth less in Scrabble, and realise should be worth more. If I, and other British self-publishers, are going to sell our wares to Americans we should make the effort to cater to them. To meet them half way across the pond and change the words to ones that they are familiar with. Likewise, Americans publishing to the British-speaking world should do the same. After all, it’s only common courtesy.

We may be ‘separated by a common language’, as someone said even if no one is quite sure who its was. But we are united by a common Scrabble board, let the men in cardigans argue about which dictionary they use, because as writers we should use both…

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Note: I wrote this four years ago, I still haven’t made american editions… It was sadly far more complex than I hoped, and due to the weird way amazon calculate stuff it would have been massively counter productive. So sadly it remains a thing that should be done, not a thing that is.  

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A Little Wisdom…

Sometimes everyone needs the odd quote or two to put things back into some kind of perspective… I haven’t shared any for a while but found myself needing a little inspiration stuck as I am in the doldrums of a second first draft (which is to say I felt I needed to go back to the first chapter of my WIP and work through the whole thing again as something felt off around the 40k mark) So I thought I would share a few favourites from a few authors that had a thing or two to say about writing…

First the inspiring…

“One day I will find the right words, and they will be simple.” ~ Jack Kerouac

“You never have to change anything you got up in the middle of the night to write.” ~ Saul Bellow

“You must stay drunk on writing so reality cannot destroy you.” ~ Ray Bradbury

“Don’t tell me the moon is shining; show me the glint of light on broken glass.” ~ Anton Chekhov

“Start writing, no matter what. The water does not flow until the faucet is turned on.” ~ Louis L’Amour

“After nourishment, shelter and companionship, stories are the thing we need most in the world.” ~ Philip Pullman

“Stories may well be lies, but they are good lies that say true things, and which can sometimes pay the rent.” ~ Neil Gaiman

“Fill your paper with the breathings of your heart.” ~ William Wordsworth

“You can’t wait for inspiration. You have to go after it with a club.” ~ Jack London

“Cynics are simply thwarted romantics.” ~ William Goldman

Then the somewhat derisive, because sometimes you need a little perspective…

“Write what you know. That should leave you with a lot of free time.” ~ Howard Nemerov

“Cut out all these exclamation points. An exclamation point is like laughing at your own joke.” ~ F. Scott Fitzgerald

“So what? All writers are lunatics!” ~ Cornelia Funke,

And finally one from the author of my misfortunes… As its his voice at the back of my head telling me I need to go back through this first draft and revise before I can move forward with the third Hannibal novel  

hanibalisum 4

 

 

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A cast of several:Frankie and Karma…

For reasons… I’ve been playing around with character cameos for Instagram… Which admittedly is partly procrastination. As I am making them anyway, I’ve decided you, dear readers, may enjoy seeing them, with a little background on the characters featured.

The world of Hannibal Smyth has an ever growing array of characters, some more influential than others and some whom’s influence on Hannibal’s life is yet to be felt in full. the latter is true of today’s pair. Karma was first alluded to in ‘From Russia With Tassels’ in one of Hannibal’s many digressions from the story he was supposed to be telling. It was a brief mention, no more than a couple of lines, but the Soho dancing girl with the exotic name, exotic looks and a Croydon accent managed to create an impression and was the spark that led to ‘The Elves and the Boot-maker’ which strangely became Hannibal’s own creation myth. Because just like every superhero has a creation myth, ever disreputable, philandering, braggadocios, lying, scoundrel needs one too.

karma 2

While ‘The Elves’ Gentleman’s Club, and the grand traditions of young bucks going to ‘get their boots polished’ or ‘getting their brogues waxed’ was created with Karma in mind, the proprietor of ‘The Elves’, Frankie Burns an East End thug with a passion for musical theater was created almost by accident, as I needed a reason the young Harry Smith was not sent packing by a bouncer for ‘tourism’. Thus he became an even younger Harry’s childhood friend and a whole backs story developed in a few lines. The bouncer became ‘Fabulous Frankie’, and instigated much of what was to lead Hannibal to the cells of the New Bailey a few years later at the start of ‘A Spider in the Eye’.

frankie

Both Frankie and Karma are featured in the short Early years stories ‘The Elves and the Boot-maker’ and ‘When Irish eyes are Scowling’, written for the Harvey Duckman series, they will also be among the stories featured in my own forth coming anthology ‘Cheesecake, Avarice & Boots’, yet hey Both entered Hannibal’s world almost by accident, seemingly no more than passing thoughts in stories Hannibal was telling me. Once both existed they took on a life of there own and were suddenly very much always there to start with.While they fit in to the main story arch in holes that I’d never realised were waiting for them, somewhere around book four they will start to play an increasingly important part in the novels. So they’re either happy accidents or always existed somewhere in the narrative, just waiting for old Hannibal to tell me about them… 

Or perhaps it was just karma…

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Crafting books…

A wise man probably once said,

It’s one thing to write a novel, and quite another to make a book.

Which is true, as far as it goes. A novel is a long series of words placed one in front of another in order to tell a story, or several several stories that link to tell one meta story, or a long winding memoir of someone who never existed in a version of the world that never existed, or a exploration of a psyche fighting for a way to come to terms with a trauma so shattering  that the mind has splintered to hide the truth of it all from itself… Or you know, words..

A book on the other hand is sheets of paper with words upon them, carefully laid out in order, bound in thicker paper to form a cover with pictures and words upon it, a blurb , a bit about the author, chapter heads, contents pages,  an also by page, copyrights , fonts and choices of style, presentation, layout, typesetting’s and a whole bundle of other stuff. Or to put it simply, much more than just a bunch of words placed one in fount of the other…

To put it bluntly, being a writer takes one skill set, making a book takes a whole different skill-set, and this is very important for the independent writer to realise. They have a few choices about how they approach the task of creating a book but there is one very important thing they have to remember when making a decision on how they do it. No matter how skilfully they have crafted their words, no matter how fine their writing, the intricacy of their plots, the depth of their characterizations, and all those little bits of their soul they have poor into the mix… How it is ultimately presented can make every hour they spend on the words worthless…

A wise author therefore is one who seeks help and guidance, knows the limitations of his or her skills, and unless they have the correct skillset they seeks out those who do, be that friends, colleagues or professionals offering a service…

I should point out here, I am not talking about proof-reading and editing, that is a whole different kettle of fish. A damn important kettle, indeed as important a kettle as it is possible to have, but a different kettle all the same. This, however, is about the skills of  typesetting, designing covers, presentation and has more than a little to do with graphic design. A whole different skill set from writing as I say, but one that is just as important, and that no one should be afraid to buy in. Frankly unless you are utterly confident in your own abilities, and even if you are, buying in those skills is is exactly what you should do, and a wise man would know this…

Pick up a book, one of the papery things full of words, you might have one to hand. Now hold it a moment and feel the weight of it. If its a professional book, and by that I don’t necessarily mean one from a big publishing house, just a book that has been professionally produced, it will have a cover that looks inviting in some way, that tells you something about the words within. It will also have a cover that could sit next to any other book on your book shelf. It will be the right size and shape as other books on your bookshelf as well. It will look like a book you might find in a bookshop.

When you open the book up, at any random page, the fonts will be of the right size, pleasing in a none offensive way, easy to read for hours, there be a small indent at the start of a paragraph, but only a small one, there will not be an extra space between paragraphs like you might find in a word document. Paragraphs will be justified right and left, the last sentence of a paragraph will never be at the top of the next page, there will be a header with the title, or the chapter title on the odd pages and the authors name even pages, page numbers. Chapters will usually start on odd page numbers to the left, and when a chapter ends on an odd page there will be a blank even page to the next starts on an odd again… And not all of that will be true for every book, but there will be an internal logic to how it is typeset. ( and it will never have an extra space between paragraphs BTW, I have lost count of the times I have come across indie books that do and it’s like nails raking down a blackboard when ever I see it…)

The point is however the book is laid out it will have been laid out by someone who has put thought and experience into the typesetting. Its a skill all of its own, as is deciding how to present chapter names and numbers and everything else, and just as important as a cover. Many indie authors are willing to pay for a cover, they should likewise be willing to pay for typesetting because even if you could not tell me what the inside of a book should look like, I almost guarantee if you open one that is badly typeset you will notice, even if your not sure what it is your noticing, you will notice and you’ll put the book back down because it will be less inviting.

Of course, you can learn to do all this yourself, but is it really something you want to learn through trail and error?  A wise man would go to someone like my friends at 6e who publish the Harvey Duckman books, or other author services, for advice, help and typesetting, (though I recommend 6e, as they are as good as it gets.)  So if you have done all that hard word writing you book, don’t be foolish, be the wise man and get a professional to do your typesetting for you…

I of course am not a wise man… But I learned how to do it all myself the hard way… take my advice and don’t do what I did 🙂

And then of course strip out every bit of typesetting and build the ebook version from scratch…

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Reviews… The slow-crushing of an authors soul…

One morning, a few months ago when I originally wrote this blog post I woke to three new reviews of my novels, all written by the same reader a close friend who has been promising to do the reviews for some time (in the case of one of the novels, Passing Place, it was a review for a book he has told me how much he loved on numerous occasions, but it had taken him just over three years to get around to writing the review, and as much as I was grateful I must admit I felt a tad frustrated it has taken him so long to write the review, but I digress into mild bitterness, so lets not.)

Those reviews came on the heels of three new reviews for both From Russia With Tassels and Maybe from other readers a few days before. All of which put a little sparkle in my day, because on occasion it feels like writing is throwing words out into the void and hoping people like them. The reviews of late, and for Maybe in particular have been universally good, both for the books and for my prevailing sense of self worth.

If that last bit sounds over dramatic… its really not. For while I may protest that I am a perfectly well rounded individual, with faith in his own self worth and in the worth of the books I write, you would not be incorrect in the assumption that I protest that a little too much. Bad reviews (and I have the odd one of those, every author has) hurt. They rip me to shreds and make me lose faith in my own ability and the worth of my writing. They do so to the extent that they make it hard to actually write at all some times.

One particularly god awful review got to me to the point where I deleted a few thousand words, and did not turn on the laptop again for a fortnight. This was despite a friend who read that review, pointed out what utter bollocks it was, and that it was written by someone who as clearly had missed the point and appeared unable to comprehend the underlying satirical nature of the humour inherent in the novel concerned, and also confused Queen Victoria with our current monarch, declaring my novel was offensive because it “insulted the Queen and Prince Philip…” All of which I knew the moment I read it but it didn’t prevent the visceral reaction that review inspired in me.

But its not just those rare bad reviews  that eat away at me, even good reviews can have an adverse reaction at times. A turn of phase meant as praise can be read in a way which actually feels damning even while it is clear that is never the intention of the reviewer. Added to which there is the perpetuity of people to add something along the lines of ‘this authors books are self published but don’t let that put you off…’ Which is saying its ‘good despite being self published’… Or, ‘its good for a self publish book’… Or ‘well no publisher would have looked at this in the first place but its okay, I mean clearly it’s not as good as something that was published by Random House, but don’t let that stop you…’

This is a personal niggle of mine and perhaps it is petty to point it out, but I self-publish for a reason, and the reason is not because I couldn’t send my work to a big publishing house, it’s because I chose not to. Self-published, or as I prefer to call them independently published books are just as much the product of just as much hard work, skill and talent as books which are traditionally published. The majority of them are just as well edited, just as well checked for typo’s and errors, indeed if anything the process they go through tends to be even more exhaustive. I have read plenty of traditionally publish books with typos that have slipped through…

And now comes a little rant, bare with me, and forgive me for it, but…. It annoys me when I know just how much work is put into eliminating them form my own and someone writes a review that mentions spotted a couple of typos… In a fucking review…. email the author and they will thank you for letting them know, trust me on this, they will then make sure it goes on the revision list. But don’t point it out in a review, because your belittling someone’s work over a typo or two, and unless you have ever tried to edit an 80000 word documents and get every single last word perfect…

Now, a confession, as I alluded at the start I wrote this blog several months ago, and left it half finished but decided not to published it at the time. This is because I wrote it as a response to ‘the slow crushing of an authors soul’ that is reading reviews. Even the good ones sometimes. But at the time I decided not to air my demons. So what’s changed? Well nothing, save time and distance. Authors need reviews, and I sort of hope anyone reading this will still write reviews, I just hope they will take a moment and consider that the author is a person who has put a slither of their soul out there when they publish a book and take care to tread lightly.

And please for the love of all that is holy, don’t write something like ‘this is good for a self published book…’

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The great Lock-down novel…

Lock-down has, converse to what many of us imagined when it began, been an unproductive time for most writers I know, myself among them. Surprisingly while a lot of writing involves voluntary spurning the rest of humanity to isolate yourself behind a keyboard, when your actually forced to spurn the rest of humanity and isolate yourself it becomes harder to be creative and the keyboard becomes so much more daunting. Now there is a twist no one saw coming…

Now, I will admit that a bunch of writers struggling to find those ever elusive narrative partials if far from the worst thing to come out of lock-down. As social problems go its a long way from the top of anyone list, including the writers themselves on the whole but it isn’t just writers who seemed to be having a creative slump, its the majority of those who participate in the creative arts of any kind. There was a spike early on when creatives were all doing video uploads and trying to find new interesting ways of getting out there without getting out there… Musicians were recording live concerts from their living rooms. Poets were doing video readings (which clearly should be discouraged, because poetry…) Authors were doing reading on live chats… There was in fact a brief upsurge of creative people pitching in to entertain the housebound masses in a blitz spirit of ‘we are all in this together’. This I think that in of itself was one of the contributing factors to the slump that followed, the pressure to be creative, pressure the creatives put on themselves to reach out and be there for a shell shocked society smothered the very creativity it was trying to force and (for me at least) the narrative partials were suffocated and the keyboard ceased to tap.

I struggled to write, or more exactly with the will to write. The novel I was working on at the start of lock-down stuttered to a halt and sits waiting for me to get back to it. The other novel I took back up to try and get past the slump by changing lanes fared little better, even the blog became first something of a chore, then dried up completely for a while. The knowledge I was not alone in this creative slump did not come to me until later when connecting to my fellow writers. Though knowing that no one else was writing ‘the great lock-down novel’ didn’t help me get past the slump, though misery is ever courteous of company.

Somewhere in this long cruel summer of isolation the creativity has started to creep back however, and the keyboard has started to tap, the narrative particles have started to spark once more and while its not yet a river, words have started once more to flow. Firstly because I needed to write a tale about pirates for a Harvey Duckman anthology and knowing I was not the only one trying to do so helped. That was over a month ago and since then I have gotten back into the writing grove, though it is causing me to revise a lot of what I had written in the five months before, those words that struggled to find the page show the strain of doing so. But the particle’s are flowing once more…

A Squid on the Shoulder is starting to take shape, I’ve a collection of collated short stories coming out in a month or so and of course there be Pirates on the horizon coming out on Pirate day… (more news on that to come)

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Fiscal realities of publishing… and the pursuit of happiness… 1 year on.

‘If everything you do and everything you are is in pursuit of money, then you are already bankrupt.’       ~ Cake, Ink, Collective.

Last year, around this point in time, I published a blog post called Fiscal realities of published… And the pursuit of happiness…It was written in part as an answer to one of the questions every independent author has learned to dread. The only question I suspect that crops up more often than ‘Where do you get your idea’s from?’ from perspective writers. The answer to ‘Where do you get your idea’s from?‘  BTW I will write for you at the end of this post, as a reward for reading it, I suspect the answer to that question is not what you expect… But we are talking about the other question perspective writers always seem to ask here. The question that indie writers tend to get a little irritated about in my experience and to be fair, rightly so. ‘How much money do you make?’

This post then is by way of an update on how I sought to answer that question. I stand by that original post and the answers it gave. But as an exercise I thought doing a follow up one year on would be of interest to those who ask such questions, though this is not just an update to the original post, but an extension of it. I am also stealing the idea of doing these posts yearly from another writer Jim C Hines who had been publishing his earnings form writing on his own blog for years and also have a rather more in-depth look at novelists earnings which is a fascinating read. But this post is about my own experience not the wider community.

A little background first. last year at this time I had three novels and a novella in print. Cider lane, my first novel from way back in 2015,  Passing Place published in September 2016, the novella A Scar of Avarice in June 2018, and A Spider in The Eye in January of last year, and my earnings from these between Jan 1st 2019 and 31 July 2019 were as follows.

sales t up to and including july

Earnings on Amazon 1st Jan to 31 July 2019

Since then I have published two more novels, From Russia With Tassels in October 2019 and Maybe in March 2020. So for comparison these are my earnings on Amazon from Jan 1st 2020 to 30 June 2020 ( a month less because I am slightly early in doing this and don’t have July’s figures)

jan - june 2020

Earnings on Amazon 1st Jan to 30 June 2020

As you can see I have made much more in book sales in the last six months than I did in the first seven months of last year. I was doing remarkably well by my standards this time last year, I am, as you can see, doing considerably better this year. But all things are relative. Last year I was able to sell books at conventions, this year I have been unable to. Also these figures are gross earnings, but I’ll get to that later… But all the same I have sold a lot more books, and not just because I have two more published works out there in the world. I have sold a lot more books and gotten them into the hands of readers, which is a happy thing…

The other chart I shared last year was my total earnings since my first book was published way back in 2015.

total earnings

Total earnings on Amazon from July 2015 to July 2019

From which you can see why I thought I was having a good year last year. But the same chart for this year, 11 months later… Well clearly I am doing something right somewhere…

total june 2020

Total earnings on Amazon from July 2015 to June 2020

And yes two more books in print does help.

But that’s not a complete picture, far from it in fact. I have made a lot more money from writing in the last year. But I have spent a great deal more on advertising, in fact I have spent more on advertising than I have made this year. I’ve also bought paperback I have been unable to sell due to Covid19 closing conventions. Bookmarks I have been unable to use, a pull up banner that has sat in the corner since it arrived ( in its carry case, I am not that vain.)  So in actuality I have probably wiped out every penny I have ever earned on book sales. I suspect, though I have not done the maths to be sure, that I have in fact ran myself into the red by at least couple of hundred ( probably more, which is why I have never done the figures)  more than those total all time sales figures…

So the answer to ‘How much money do you make?’ from your writing is a negative figure, of at least three figures. And guess what, I am still having a good year in my opinion and my summery from last year remains the same…

I don’t write to make money. Oh sure that was the dream, and still is the dream. I would love to make my living through my art. But the reality is that writing is a full-time vocation, but a part-time job. I need to do little things like buy food, pay the mortgage, pay the bills and keep the lights on and so I have a full-time job. And do you know what? I am fine with that. I love writing, I love my novels and I love hearing from happy readers ( most of which say ‘When is the next one out?’ so I must be doing something right.) But will I ever make a living out of it? I doubt that somehow. There is no money in books, as I say, but then writing books has never been about the pursuit of money for me. Book are and have always been about the pursuit of happiness.

So if you are a prospective writer, here is my advice, don’t even think about the money you might make, and certainly don’t ever write for the money you might make out of doing so. Write for the joy it brings you, and for the joy of the journey. Because money, hell, it’s not even a blip on the radar.

Oh and never ask a writer how much money they make. That’s just asking to be written into a novel and then have the character gruesomely slaughtered, probably with a ballpoint pen…

Because the point remains, I don’t write to make money, writing and been a writer is about the pursuit of happiness. Considerably more people have read my books in the last twelve months than had ever read them before. And most of them like the story’s within the pages of those books ( some don’t and that’s fine too, I write them for the people that do and there seems to be far more of them)

So while publish and selling my books has costs me more than I’ve ever made I am going to keep doing so, because it has never been about money. And if your a perspective writer and money is you main motive for being so, consider this a cautionary tale, because my experience is the experience of most writers, in fact I am selling better than most. And because I don’t care about making money, or indeed spending it to get my books in the hands of reader, I remain in the pursuit of happiness, which makes me successful in my eyes…

And if you are a prospective writer, don’t let the cold hard fiscal realities put you off. Because its never about the money…

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Oh and yes I have not forgotten I promised to answer that other question, the one about ideas and there origins. Well the answer I give to that question is simple, I get my idea by drinking the tears of children that were never born but existed only as a potential of a fate denied by an unbroken condom…

I said I would answer it, I never said you would like the answer….

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A dichotomy of cheesecake and boots

As you lovely readers may be aware I am in the middle of writing the third Hannibal Smyth novel ‘A Squid on the shoulder’, which is, I am told, eagerly awaited. But in writing the third Hannibal novel I have come to something of a quandary. The Hannibal novels are not the only place where you can find stories about Harry Smith as a couple of short stories about his early exploits also feature in the wonderful Harvey Duckman Anthologies (which I heartily encourage readers to read.)

harveys

These short Hannibal stories were originally intended to just happily stand alone from the novels, and indeed as individual stories they are complete on to themselves. However, and here comes the quandary, characters originally introduced in those short stories, as well as the stories themselves have had an influence over novels and the meta plot of the whole series (and that took me by surprise). This has become steadily more apparent as I write ‘Squid’ not only because ‘Squid’ sees Hettie ‘Spanners’ Clarkhurst returning to the series in a much expanded role. Hettie is both one of my favourite characters and a readers favourite, and I found myself writing her into ‘Squid’ before realising what I had done, as she was the perfect character to fill the Hettie shaped hole in the plot. Someone needed to be standing behind a door in the first chapter, and I typed her name without thinking about it…

You would be surprised how often this kind of thing happens, sometimes stories want to be written and the writer is just the medium through which that happens. These are often the best stories…But as Hannibal would say, I digress…

Hettie is not alone, as other characters from the short stories will I know also feature in, and have a greater part, in the later Hannibal novels, beyond just being passingly referenced. Hence my quandary, for while the short stories stand alone they have influenced the wider story and not every reader of Hannibal reads the Harvey Duckman Anthologies (they should btw, they contain a fabulous array of stories from talented writers, but that is beside the point.) However, because they have become somewhat intrinsic to the series, for those readers who foolishly or otherwise resist the lure of the Duckman, but want to read the complete Hannibal, it has become apparent that I should consider releasing those Hannibal short stories in there own Ebook. Hence I was playing with book covers last night, and doing the first bit of compiling for the ebook.

Did I say cover, yes, yes I did…

hanibal shorts cover

As ever, this is where it gets complicated, because I hate releasing anything in ebook only, I like to hold my books in my hand been an old-fashioned bibliophile. But these are short stories, and doing a print version would seem redundant, it would be half the size of my novella ‘A Scar of Avarice’ which is already a fairly short 100 page book in print form. I’ve always considered ‘Scar’ a bit of an anomaly in this regard, the print version only exists because I wanted one for the shelf, though a remarkable number of print copies of ‘scar’ have sold, so clearly I’m not the only one who likes their completism on the printed page… But the production costs of a print copy of a book comprising of a couple of short stories and a teaser chapter from Maybe, mean what I would have to charge (due to the minimum price rule) for print copies would be more than the ebook versions of full Hannibal novels… And frankly I don’t make anything on print copies of ‘A Scar of Avarice’ because I sell it so cheap, but I don’t feel it’s reasonable to charge more for what is a short novella with a couple of short stories. However, I have considered for some time doing a revised edition of ‘Scar’ with a few more short stories in it. But that another crux because while you can mention to ebook owners that is they re-download the revised copy form there on line library they will get the bonus stories. The print copies people have bought stay the same.

What I can do however is a combined book of both Scar and the Hannibal short stories, with a few other shorts in there as well. I can in effect produce a new anthology, for new readers, while producing the ebook of the Hannibal shorts for people who already have scar. Of course if anyone is mad enough to collect all my books even if they have the Harvey’s too and so have all these stories, well bless you madness…

Of course that does mean I need a title for the print anthology and a cover…

Did I say cover, yes, yes I did…

cheesecake avarice and boots (2)

Do you sense a theme here… (though both covers are not quite finished yet…)

This is far from set in stone at this point but I am working on these, a third Hannibal short for Harvey which may be included in the early years and the anthology as well and the actual listing for the print edition is far from set in stone… If nothing else its all proving a fabulous procrastination for this difficult chapter I am having with Squid…

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Alice isn’t dead: and upside down trucks

If you make a fairly basic silhouette of the front of an american trunk, then flip it upside down, it looks remarkably like a stylized skull… Now I will admit that seems like an odd observation, and in many ways it is entirely irreverent, but at the same time little observations like that please me a ridiculous amount. It is also the iconography used in chapter heads and on the cover of a remarkably entertaining, thoughtful, funny, and in parts spine chilling book by Joseph Fink and I am a sucker for little touches like that.

The book is something of a splendid oddity, a road trip horror, up and down the back-roads of america in a truck. The America described in the novel has a similar feel to Neil Gaiman’s American Gods, while at the same time feeling like a Stephen King novel, if Stephen King got in a truck and actually drove himself out of Maine. There’s also more than a touch of the surreal, Twin peaks, Northern Exposure, Eire Indiana in there too. The humor is tinged with horror , the horror is tinged with humor. Everything is the kind of strange that is just firmly rooted enough in reality that it managed to seem strange and yet familiar at the same time. That uncanny awkward kind of strange that you occasionally glimpse in your peripheral vision, then when you turn you head to get a better look you know you will realize you were mistaken, or just hope you will be.

I was recommended this by a friend and fellow Harvey Duckman writer @WritesAmy and it was a hell of a recommendation because I ate it up, I consumed the novel in a few long nights when I should have been sleeping and only my eyelids refusing to stay open prevented the hunger for more that drove me through the book from finishing it in one cannibalistic sitting. (there is a couple of jokes in all that I’m not going to explain.)

While the recommendation was a great one it was also a little uncanny and odd because Amy recommended it after reading my novel Cider Lane and I can’t see any connection between the two books apart form they both deal with loss and the isolation it brings, much like Passing Place another of my novels which has more in common with Alice Isn’t Dead. But whatever the reason I am glad she did because this is a fine novel. Dark, and twisted in places, yet holding a little hope, like a flickering candle at the same time. the synopsis alone was enough to make me want to read it once it she brought to my attention.

Keisha Lewis mourned the loss of her wife, Alice, who disappeared two years ago. There was a search, there was grief beyond what she thought was possible. There was a funeral.But then Keisha began to see her wife, again and again, in the background of news reports from all over America.

Alice isn’t dead. And she is showing up at the scene of every tragedy in the country.

Keisha shrugs off her old life and hits the road as a trucker – hoping on some level that travelling the length of the country will lead her to the person she loves.What she finds are buried crimes and monsters (both human and unimaginable), government conspiracies, haunted service stations and a darkness far older than the highway system it lies beneath.

It only gets better from there, and there is a a great deal to unpack, so I’m not going to. If you want a real recommendation it is this, I wish I had written it. hell I wish I had the imagination to do so. It a road trip of weird and wonderful proportions. The plot is complex, interweave, multilayered and yet realized beautifully. It’s also a book that has much to say about America and American society. Take the supernatural elements out of the story and it still has the rings of deep truth about it. Its beautifully sprawling and takes on the scope of the endless American highways and the strange places you find alongside them.

So as it was recommended to me, I recommend it to you, read it, consume it, love it. (and the fact that trucks look like skulls upside down…..)

 

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