From Russia With Tassels

The Second Hannibal Smyth Misadventure has landed, taking up the story of that notable and somewhat ignoble gentleman’s adventures from the Himalayan cell he found himself imprisoned in at the end of ‘A Spider In The Eye’. Our ‘hero’ has been forged in adversity, but is he now a fine steel edge poised to save the British Empire from the foul assignations of HG Wells and his band of air-pirates? Or is he just a rusty piece of pig iron bound to shatter at the first blow…

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Told in Hannibal’s own meandering ‘honest’ style in, From Russia With Tassels, our reluctant hero is drawn deeper into the Wells conspiracy, faces new dangers, Russian Sky Captains, old foe’s, mad scientists, brass shoguns, The Ministry, the Sleepmen, a war-torn Japan, not to mention his own personal Bad Penny… Fighting not so much for honour, or the empire, or even whats right, but just to save the one thing he really gives a damn about, his own misbegotten skin… Because when the going gets tough, trying to find a good place to hide with a bottle of engine room vodka is always the right choice…

Available on Kindle and in paperback from all good multinationals named after South American rivers.

(note, and as always happens amazon have not quite yet managed to link the paperback and the kindle editions together so there are separate links for both… and the us and Canadian links for the paperback are not quite working yet, will update this list when they are.)

Within the Bounds of Britannia…

In the US and other places beyond Britannia’s shores…

And because it has its own links, in Canada

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I don’t know the answer, I barely understand the question: Indie October guest post by Andy Hill

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Do you wander around a first world town centre, bemused at how the general population manages to exist even as a rudimentary civilisation? Ever stared out of an aeroplane at the houses, roads and train tracks below, knowing full well that if left to you to design or build either, the plane would be hurtling in flames towards buildings that had fallen over anyhow?

As I understand it, some guy called Darwin invented the opposable thumb, while on holiday in Madagascar. Now we have about sixteen billion of them of which half of them are holding chips (fries) at any one time and the other half look on in envy.

As species we have achieved so much and effectively wrangled control of the planet for our own ends. Regrettably we have done it in such a way that is based on resource exploitation which is finite and will impact climate and ecology,in ways we yet don’t fully understand. The problem is, as individuals we dislike and mistrust the type of central global planning needed to restore balance. Previous attempts at central planning have suffered from a combination of nefarious undertones, gross incompetence and personal enrichment. There’s no reason to expect that the next attempts would be any different.

We want change but are we ready for the sacrificial and radical changes that would likely need to be enforced? Would we accept population control, transport restrictions, high energy use food rationing and power consumption limits? Can first world expectations be reconfigured to expect less and third world ambition for a ‘better life’ suffer the crushing of long awaited dreams?

Human civilisation is organised chaos. Somehow, miraculously it more or less works. Chaos however tends to leave a mess.

Luckily for all, I failed to consider these questions and more through the medium of poetry. I urge you not to read any of it and spend these precious minutes of your life doing rewarding and fulfilling tasks. Argue with loved one over trivialities. Pluck nostril hairs till your eyes water.

Most importantly be nice to spiders, they will outlive us.

About Andy Hill

andyBased in North East England, Andy works as a freelance writer and capital market consultant. In other words, a hand to mouth existence scrabbling for paid work. These skills lend themselves with aplomb to the overcrowded world of direct publishing.
Andy’s first work “I Saw You” rocketed to number four, in the prestigious Kindle Love Poetry Top 100 Free chart. Bettered only by Shakespeare, Keats and Shelley in a flush of ego and hubris, Andy splashed out on a new fridge and fly crib, only for those fifteen minutes of fame to evaporate in sixteen minutes. He has also written for the Harvey Duckman Anthologies.

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My Five Favourite Writing Rums: Indie October Guest Post By CG Hatton

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CG Hatton, author of the wonderful Thieves Guild Series, who is busy slaving away with the eight novel and thus in need of more rum, presents her five favourite writing rums! This is because she has a wonderful way of turning Rum is to words, for which we, her readers, are ever grateful because they’re such fabulous words. Take note, supply writers with rum… (intro by mark)

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Bumbu: this is a strange one, tastes awesome and is good for times when a few unexpected twists, turns and shocking reveals are needed.

 

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Bacardi Gold and Bacardi Oakheart: always a good writing rum, Bacardi has a special place in the history of the Thieves’ Guild and its tradition of intrigue, pacts and secrets never to be told…

 

 

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Captain Morgan’s Spiced: this is a firm favourite for those everyday writing moments when the story is ticking along just fine and everyone is behaving… or not. Captain Morgan’s Black Spiced and Private Stock are special treats and saved for darker times when the ante needs to be upped and the drama intensifies.

 

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Kraken Black Spiced: this is the special stuff for special times when the stakes get serious, threat levels rise and the pace needs to be increased. Must admit, this is the one I go through the most…

 

 

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Dark Matter: I’ve not been able to touch Dark Matter since I finished Darkest Fears, but here it is, still at the number one spot and still there on the shelf… waiting… dark times are ahead.

 

 

About CG Hatton

gillieCG Hatton is the author of the fast-paced, military science fiction books set in the high-tech Thieves’ Guild universe of galactic war, knife-edge intrigue, alien invasion, thieves, assassins, bounty hunters and pirates.
She has a PhD in geology and a background in journalism. She loves meringue and football (supports Tottenham Hotspur), drinks spiced rum and listens to Linkin Park, has climbed active volcanoes, walked on the Great Wall of China, and been mugged in Brazil.

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C G Hatton’s Thieves Guild novels: Fast-paced sci-fi that will leave you breathless and gasping for more.

 

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It’s the little things that drive you crazy…

I’m currently working my way through a print proof copy of ‘From Russia With Tassels’, carefully trying to catch those last few little typo’s syntax errors and the very occasional misbegotten sentence that needs one final little polish. This is after four drafts , my editor, my beta readers, a final polish draft draft based on my editor and beta readers feed back. And it’f the little things that are, as ever, driving me crazy. The things no one will probably notice, though they would be aware of them in some vague way if I didn’t fix them.

Quite apart form the text there are things like this game of spot the difference…

Now I dare say that you can spot the changes, though you might not know why they’re there. Its all to do with bleeds. When you up load a cover you have to allow for bleeds which will crop about 7mm off the top, bottom and importantly the right hand side of your cover. Which of course I forgot, hence last night I spent an hour moving the title , subtitle and the name of the idiot who forgot about allowing for bleeds, about 7mm to the left, so on the print copies the title et-al is actually centred to the cover.

A task made slightly more difficult because there are actually two layers of text behind and slightly offset form the white text is a layer of black text, and I had to make them match up to get the slight embossing shadow effect I was after, so I was literally counting the number of spaces I moved the text, so I could move the text below it the same… Which is barely perceivable in the subtitle, But I know it’s there, so it has to be right…

So, all the words shifted to the left,, the subtitle and authors name moved up a little so after the bleeds they look the same distance up form the bottom as the title is down form the top. (and yes in vanity I made my name slightly more prominent, sue me for that).

Oh and I rotated the cutthroat through a whole 10 degrees clockwise.. and moved the eye-spider a tad anti clockwise because… well, just because I thought they needed it.

These are the reasons you get a printed proof copy before unleashing this stuff to the world. the things no one one notice. Its the same inside, a few minor changes to the lay out and so far 100 pages in to the 340 I need to go through, all of about 10 minor changes to the text and two typos that went past every other filter. Because while they may be little things no one but you would ever notice, they still need to be right. Which is also why I made this cog-wheel icon for the dedication page as well last night, because while no one would notice if it wasn’t there, despite the cog wheel motif used for chapter heads and in other places in the novel like the contents page, not having one for the dedication page bugged me when I saw it in print.

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All I want to do with this novel is unleash it out into the world. But till I am utterly satisfied. So the little things are driving me crazy in little ways, and no one will even know I have spent days fixing them because they will never notice, least ways no one but me… But i would know if they weren’t fixed…

Why am I saying all this? well because in a couple of week (hopefully) when this is all done ‘From Russia With Tassels’ will join its fore-barer ‘A Spider In The Eye’ out in the world. And within a few days someone somewhere will point out the one thing I didn’t fix… and I may scream…

Beware of the self published, unless you have done it yourself, you have no idea just how much work beyond just writing goes into the book you hold in your hand. So be nice when you point out the minor flaw that slipped through everything…

Because its the little things that drive us crazy…

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How to kill a hundred people: A Indie October guest post by Nimue Brown

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Let me begin by explaining Hopeless Maine. It started life as a graphic novel series set on an imaginary island off the coast of Maine. There’s now a role play game, prose books in the offing and other things in planning! For people who want to get involved, there’s www.hopelessvendetta.wordpress.com which is currently full of dead people…

Back in August, when we were figuring out the details for Hopeless Maine kickstarter, I suggested I could do obituaries for people as though they had died in the setting. Those became early bird bonuses, and “yes,” I blithely said, of course I can write a hundred of them.

Of course I didn’t think for a moment that 100 people would get in fast enough that I’d have to do it.

I find myself having to kill a hundred people. Those slots went very quickly, and the kickstarter itself went well over target. I’ve done the maths regarding the rate at which I have to kill people and there’s a fighting chance it will all be over by Christmas.

Technically this is no more difficult than writing a rather bitty novella. I can’t write them like proper obituaries for real dead people because that wouldn’t be in keeping with the setting. Most of what passes for reporting on the island is undertaken by a chap called Frampton Jones – it’s hard to tell with Frampton if he’s intentionally deeply ironic, or totally oblivious. I like that about him. I’ve tapped into other island voices along the way already, partly to keep things fresh, partly because there are some things Frampton would never say. So I’ve got Mithra Stubbs for gossip, scandal and slander, and Doc Willoughby for bigoted misinformation.

Some of the deaths have grouped quite nicely, and I’ve had a run that I’ve particularly enjoyed, featuring members of the Martian Expeditionary Force (a real life Steampunk group). I’ve juxtaposed them with some events that occurred back when I was first writing The Hopeless Vendetta as a news-site for residents of Hopeless Maine. I’ve had a few backers killed off by Mrs Beaten – resident collar fanatic and psychopath. I’m poised to use someone who backed the campaign but missed the early bird obituaries as a suspect in a few deaths as well.

It’s a bit nerve-wracking trying to kill people off in a way that makes sense and will also amuse them. People can be expected to be sensitive about their own deaths. Thankfully, most of the early backers know me and what I do, and have taken it well. Wanted it, even. At least in a written sense. As far as I know there’s only been one person so far who was upset about their death – I have no idea what they were expecting.

I’ve written custom fiction before (in a different genre) and it is a tricky thing. I’ve yet to come up with a system for it other than desperate hopefulness and trying to be psychic. I’ve had a few death stories go well on the doing-it-by-magic front, and clearly at least one that went down like the proverbial lead balloon. Which is not a method I’ve used for killing people, yet, although I’ve got a way to go.

The good thing about killing people is it allows me to show off many of the unique features of the island. There are obvious physical hazards – falling off cliffs for example. Drowning. Being eaten by sea-monsters. There are other dangerous creatures and demonically possessed items. Some of the islanders are both mad and a bit evil. A number of backers have existing relationships with the island – having loaned us their faces for characters, contributed art to the Hopeless Vendetta, or stories, or other things I could mess about with.  I’ve had a lot of fun with that.

I imagine there must be a fair few bemused onlookers, seeing fake obituaries for their friends turning up on Facebook walls and wondering what this is all about, and then perhaps reading said obituary and not being much the wiser! I hope it’s brought a few more people to our uncanny shores, and not traumatised the unsuspecting too much.

On the technical side, there’s quite the balance here to strike between inspiration and workishness. To write 100 obituaries in a timely way I have to crack on and do them. I have to actively seek out inspiration for each death, and put down the words and get it out there. I have to do that five days a week for months to come. I know I have the discipline to pull it off – I’m an every day blogger, so that’s given me the habits and the typing muscles. Hopefully, the inspiration will turn up as I go along. Mostly I’m depending on caffeine and fear to get me through.

I’m deeply grateful for all the support we’ve had during this campaign – it’s gone far better than I would have dared to imagine. And so, I must crack my knuckles and decide who to kill next…

About Nimue Brown (by Mark)

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Nimue describes herself as a Bookblogger, wordherder, tree activist. Green chaos Druid Steampunk folk elf. Metaphorical tug boat. Ponderer, singer of songs, teller of stories. Hill walker, daydreamer, editor, marketing person, occasional press officer on demand, reviewer, Steampunk, Folky ,and Green activist… She also claims to have a lot of hats, one suspects this is a metaphor.

Tom Brown on the other hand describes her as ‘ A Bloody Genius’ and as he knows her better than anyone, who are we to argue…

She is one half of the creative force behind Hopeless Maine, and the entire creative force behind the druid life blog, and a creative out put of fiction and non-fiction that puts the rest of us to shame. She has so far killed 28 people by my reckoning, those waiting to be killed do so with rapt attention…

you can find more from Nimue at:

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You can read my own death on Hopeless Maine here: All i can say if I warned them, but they did not not listen…

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Alternate History Fantasy and Historical Fantasy: Indie-October guest post from Liz Tuckwell

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Thanks to Mark Hayes for generously offering me the opportunity to write an article/have a rant about a topic on his blog. This one may be a little pedantic but is dear to my heart.

As well all know, fantasy now has many sub-genres. In fact it has so many sub-genres now that some have become blurred. Two good examples are alternate history fantasy and historical fantasy. These are two of my favourite fantasy sub-genres.

I think readers and critics often get confused about what alternate history fantasy is. If you were to take a look at www.bestfantasybooks.com (for example), you would find the following books listed under Alternate History Fantasy.

  • Wheel of Time, Robert Jordan,
  • Wizard’s First Rule, Terry Goodkind,
  • The Lord of the Rings, J R R Tolkien.
  • The Belgariad, David Eddings,
  • The Sword of Shannara, Terry Brooks.

I don’t know about you, but I would never have described any of those as alternate history fantasy. They’re all epic or heroic fantasy.

However, the description of Alternate History Fantasy on the website is:

“Alternate history is set in a place where actual history has deviated from current historical accounts. Think of it as a parallel history to our own, one where events may have been dramatically different. Alternate history can include fantastical elements. One can have alternate history where the rules of the universe follow that of our own or an alternate fantasy where magic works.”

I strongly disagree with the last sentence. Clearly, all the examples on the list above fall under “an alternate fantasy where magic works” but so do many other fantasy sub-genres.

There also seems to be confusion about what is historical fantasy.

Also on bestfantasybooks.com, you find the following books listed under historical fantasy:

  • Soldier of the Mist, Gene Wolfe
  • Tigana, Guy Gavriel Kay
  • Territory, Emma Bull
  • Jonathan Strange and Mr. Norrell, Susanna Clarke
  • The Temeraire Series, Naomi Novik
  • The Pendragon Cycle, Stephen R Lawhead
  • The Deverry Cycle, Katherine Kerr

The website defines “In the Historical Fantasy sub-genre a part of Earth’s history is the setting, but with added fantastical elements. This setting may be set on Earth and positing a question—how would the American Civil War have unfolded if there were vampires?–or set in another world that shares cultural and historical events with Earth.”

 And once again, I disagree with the last sentence. I don’t think that is the definition of historical fantasy. For it to be a historical fantasy, it needs to take place in earth’s history.

By the way, in my opinion, some of the novels listed above are not historical fantasy. Tigana takes place in a fictional world that resembles renaissance Italy but is not renaissance Italy. It’s actually another fantasy sub-genre altogether. Neither is the Deverry Cycle, which takes place in the world of Annwn, an earth-like planet in a parallel universe. So, yes, they are eligible under the website’s criteria, but I think the criteria is wrong.

I’m not having a dig at bestfantasybooks.com, it’s just a good example of the confusion about what particular sub-genres are.

In my opinion, historical fantasy and alternate history fantasy also often get confused.

Alternate history fantasy is the child of historical fantasy and alternate history. Alternate history is a science fiction sub-genre so alternate history fantasy is a sub-genre that crosses genres. Historical fantasy is the child of historical fiction and fantasy.

So, for example, I think that Susannah Clarke’s Jonathan Strange and Mr. Norrell is alternate historical fantasy but Naomi Novik’s Temeraire series is historical fantasy. Both are often mentioned as either historical fantasy or alternate history fantasy.

In Susannah Clarke’s wonderful novel about two rival sorcerers, magic exists in Regency society but crucially, there was a Raven King who used to rule over Northern England, a definite departure from English history. So, that makes it alternate history fantasy, in my book.

However, in Naomi Novik’s equally wonderful series, dragons exist but it has not altered history to any great extent. Elizabeth I still reigned, the House of Hanover is on the throne, etc. but the Napoleonic War is being fought (with dragons). So, for me, that’s historical fantasy.

So, which novels do I think are actually alternate history fantasy? I’m glad you asked.

  • Jonathan Strange and Mr. Norrell, Susanna Clarke
  • A Connecticut Yankee in the Court of King Arthur, Mark Twain
  • Lord Darcy Series, Randall Garrett
  • Thursday Next Series, Jasper Fforde
  • A Midsummer Tempest, Poul Anderson
  • The Tales of Alvin Maker, Orson Scott Card
  • Armor of Light, Melissa Scott and Lisa A Barnett

And you may be asking, so what? Does it really matter? Well, I think it does because as a reader of alternate history fantasy novels, I want a novel which is described as being an alternate history fantasy to be one. I hate reading a novel and then gradually realising it isn’t what I thought it was. I know this can happen with all sub-genres, but I think it’s particularly prevalent with these two. Hopefully, this article will help you to avoid the same experience.

About Liz Tuckwell

lizLiz Tuckwell is a British science fiction and fantasy writer, living in London. She’s recently had a short horror story “A Monster Met” published by Demain Publishing in their Short! Sharp! Shocks! Series and a short story in the anthology MCSI: Magical Crime Scene Investigations. Her flash fiction has been published on the 101 Fiction and Speculative 66 websites. She has a story in the forthcoming Harvey Duckman Presents Volume 3.

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The Joy of Thursday Nights: Indie-October guest post from Amy Wilson

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I was absolutely not looking for a writing group.
I had nothing against writing groups, I was sure that they were wonderful for some people. It’s just that I didn’t think I would be one of them. I had briefly been involved with a regional writers group, but very quickly decided that it wasn’t for me. I chalked it up to experience, unsubscribed from the mailing lists and moved on. Then, a couple of Christmases ago a good friend of mine mentioned that she was thinking of starting a writers group and asked if I would be interested.
I smiled, shrugged, and surprised myself by replying “Sounds like fun.”
What can I say? I’d been drinking.

I turned up to that first meeting with fairly low expectations. After all, I’d been to a writing group before so I was prepared for the fact that I probably wouldn’t enjoy it. Two hours later, after a whirlwind round of introductions, discussions of works-in-progress and probably a couple too many beers, I left thinking “Hmm. Maybe I’ll go back next week.” Turns out, I just needed the right group.

We don’t always talk about ‘writer’ stuff. Recent topics of conversation have included the space monkey mafia (unfortunately, not a thing), marionettes, and cannibalism. Occasionally someone will start a sentence – apologetically – with “Can we talk about writing for a minute?”

But when someone does have a question about writing, everyone is eager to help. Whether it’s purely technical (“How do I format my book for Kindle”) or more general (“Why the heck isn’t this scene working?”) you can bet that someone will offer their time, their experience and their advice. It’s a genuinely beautiful thing to see people who are so passionate about their interests and so invested in helping each other out.

There have been definite perks to this that I never saw coming. Without this group, I might never have got involved in the “Harvey Duckman Presents” anthologies. I would never have written this blog post. And every once in a while, we get the major perk of ‘the brown envelope’. Where someone has finished something and they’re feeling brave enough to print it out and give it to the group to have a look at. Getting to see the end product of someone’s hard work is one of my favourite things, especially when you recognise something in the story that the writer has talked about in the group. Mostly though I just enjoy hanging out with a bunch of inspired and inspiring lunatics for a couple of hours a week.

I would absolutely recommend looking for a Thursday Night Writers Group (other week nights are available) and giving it a go. I never expected to enjoy it as much as I have, but somehow, Thursday nights have become one of the highlights of my week. Even if we do spend an inordinate amount of time talking about cannibalism.

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About Amy Wilson

Amy Wilson is the author of the short stories ‘By Firelight’ and ‘Gosfeld’ for the Harvey Duckman Presents anthologies. In between taking archery lessons, learning German, and talking about herself in the third person, she is working on a fantasy trilogy – the first part of which is due out next year.

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Blurbing: Reduxed

Way back in December last year, a month or so before ‘A Spider In the Eye’ was released I made a post about blurbing. The art of writing a blurb for the back of a paperback. I was having a bit of a breakdown about it and needed to vent, as I hate writing blurbs. Ten months later I am at that same stage with the sequel to that novel  ‘From Russia With Tassels.’ and once again it is a source of angst, much mulling and more than a little confused muttering…

Not to repeat myself, as all I said in the previous post on this subject holds true… if you want a little insight into the process of blurbing that original post is HERE 

True I am looking forward to the next stage, which I will undertake much like last time , laying on the sofa with a highlighter pen, the fire on and a glass of something or other… As this worked so well last time.

But as for blurb writing, I doubt i have improved overmuch… But here is the current iteration of the back cover of Tassels…

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There remains no professional blurb writing service out there in the ether….

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Indie-October looms…

Back in April as regular, and the occasional passing readers may remember I did a series of posts for Indie April. Posts all about various indie writers and creatives and their work. This was a surprisingly successful endeavour and as that will have been six months ago in October I have decided to do it again, but a little different this time.

This time rather than me posting a series of blogs about indie writers, I am going to throw open the doors of the Passing Place to those writers and let them run free reign on here with guest posts. So that you, my adorable readership will get to read about the thoughts and interests of all those wonderful creative talents out there first hand. Their only brief is ‘make it interesting’ so frankly I am not even sure what I am going to get back from them. But its going to be a hell of a ride…

But that’s not all that October brings. For there will be my usual collection of irreverence and distilled wittering. The annual pre-NaNoWriMo posts. A little Lovecraftian goodness. A quote or three, and all the rest… A new Harvey Duckman Presents Anthology is due out as well, so I can almost guarantee I will have to talk about that, as I once again have the honour of a story within its folds. And… erm…

I am sure there was one other thing happening in October I needed to mention…

Oh yes…

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If your an indie writer who wants to be included in my Indie-October guest post series , drop me a message. The more the merrier…

Mark

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Mark Hayes and the red weed menace

I woke up this morning with a headache and mild chest pains…
It appears I have died…
I am oddly pleased by this.

Nimue Brown's avatarThe Hopeless Vendetta

By Frampton Jones

Like many people who have washed up on the shores of Hopeless, Maine, Mark Hayes has told us many tales of his previous experiences. Some of those tales have been rather fanciful, and one always has the sense that he might be making things up. Which is, when you get down to it, probably why he is now dead.

This round of blood rain has brought us some unusual red plants – a rather cheering addition to our often drab and dreary landscape, I thought. Mark Hayes was the only one of us to react to them with absolute horror. He even suggested that we should set about destroying them at once on the grounds that they would take over everything. It reminded me (and no doubt others) of that time Ezekiel Marmalade tried to persuade us all that night potatoes are the seed of the devil…

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